Kids’ products and gender: What’s on the packaging?

Preschoolers can be quick to notice gendered illustrations on products. If a package has a picture of a boy on it, that item must be for boys; if it has a picture of a girl on it, it must be for girls. Likewise, if a package has pink, flowers, and/or hearts, it must be a girl’s product; if it has cars, trucks, or construction vehicles, it must be for boys.

I saw this in action this weekend, when we took our four-and-a-half year old son, T., shopping for a new bicycle helmet.

His favorite colors are blue, red, green, and purple; so to avoid buying a helmet covered in licensed characters (we do not need one more Lightning McQueen anything!), I offered him a few choices: A black helmet with blue and green stripes; a solid red helmet; and a solid dark purple helmet.

For a moment, I thought he was going to choose the purple helmet. But then, he announced: “No, mama, that one’s for girls.”

It looked pretty gender-neutral to me, so I was puzzled. “What makes you think it’s for girls?” I asked.

“From the picture, mama. See? That’s a girl.”

I took a closer look, and sure enough, the helmet–though labeled a “youth” helment–showcased a photo of a smiling girl with a long ponytail and a pink shirt.

Purple helmet

Other helmets either had photos of boys or girls on them, or did not feature a photo at all. I realized that any helmet that was remotely girlish–with even the smallest touch of pink or purple–had a girl on the packaging; those that seemed boyish or gender-neutral (e.g., black and white) only depicted boys.

After much deliberation, my son chose the blue and green helmet. It did not have a photo of a child on it, but its colors clearly coded it as appropriate for boys–and it had flashing lights on the back! No way could any other helmet compete with that.

Before he made his choice, I explained something to him: “Just so you know, the purple helmet is for boys AND girls,” I said. “Purple is not just for boys or just for girls. Colors are for everyone!”

“Hm. Okay, mama.”

Phew. So far, he seems pretty open to this concept. I saw this in action a few months ago, when my son was shopping for Hot Wheels cars to go with his T-Rex Takedown set.

T-Rex Hot Wheels

He decided that he wanted a blue car, a green car…and a pink car. I was thrilled! But then I was disappointed: there was not a single pink Hot Wheels car in the store.

“I’m sorry we can’t find a pink car,” I said. “I’ll try to find you one at another store.”

“Okay,” T. replied, “because I really want one. It really really needs a pink car!”

I went home and posted about it on facebook, and within minutes, friends and family were helping me with my search. My mom came through; she found a pink car in her local store. My son was thrilled.

Only later did I think to ask: Why did he need a pink car, anyway?

His answer: “Because it shows it on the box!”

Oh!

I took a closer look, and sure enough, he’d noticed something that I had entirely missed: in the upper right-hand corner, a pink Hot Wheels car was careening down the tracks.

Pink car on T-Rex Hot Wheels

I hadn’t picked up on this small detail at all, but for my son, it was significant enough to make him request a color other than one of his favorites. Amazing!

I’m sure that detail isn’t lost on other children, either. In fact, the inclusion of a pink car on the package might help make girls feel that this toy–though stereotypically boyish–is for them, too. And I think that’s really great.

What if the purple helmet had a photo of both a boy and a girl on the packaging? Maybe my son would have selected it. Maybe the manufacturer would be able to sell that model to twice as many kids!

But unfortunately, that’s not how marketing usually works nowadays. It’s all about segmentation, about separating the boys from the girls, in hopes of selling twice as many products. The logic seems to be that if a product is just for girls, it won’t be handed down to their baby brothers, and vice-versa–so segregation and segmentation is seen as good for business.

That’s a shame, since it’s important for boys and girls to learn to play together. In too many cases, marketers are shortchanging our kids. The T-Rex Takedown packaging is the exception, not the norm.

In sum, packaging is important. The way manufacturers label things matters. It plays a role in the socialization of our kids. It’s worth paying attention to it, so that you can talk about it with your children when you need to: I’m guessing that your kids, like mine, have already noticed.

Parents: Have you seen any interesting examples of gendering on packaging, whether stereotypical or defying stereotypes? How have your kids responded to them? I’d love to know.

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Reimagining Disney Princesses with racial diversity: From Tumblr to D-Tech

A couple of weeks ago, a young woman named Lauren reimagined the white Disney Princess characters as women of color, posting recolored images of them on her Tumblr blog. Her inspired designs quickly made their way around the blogosphere. Responses ranged from supportive (“I love this!“) to perplexed (“This was done because…?“; “But why?“); from grateful to critical (including requests for more inclusivity); and, sadly, from defensive to exclusionary (people of color “should come up with their own princesses and heroes“) and clearly racist.

wrote a little about the Disney Princess franchise and race earlier this year, when I noticed that in the Disney Store’s 2012 redesign of their Disney Princess dolls, Disney westernized Mulan’s dress and lightened Pocahontas’s skin. So when the Huffington Post Live asked me to be their expert guest on a segment called “Black and Brown Princesses” about the reimagined Disney Princess characters from Lauren’s Tumblr, I was happy to oblige.

Although I have my criticisms of the Disney Princess franchise in general, I do think it’s important for young girls to see characters on screen and elsewhere in popular culture that look like them. I’ve been doing academic research on the Disney Princess phenomenon for a while now, and I’ve heard about the heartbreaks caused by Disney’s predominant whiteness: The little black girl who came home from first grade from first grade in tears because her classmates said she couldn’t be a princess. Their reason? She wasn’t white. (This was pre-Tiana.) The little Latina girl who would brush and brush her tightly curled hair, completely frustrated that she couldn’t smooth it out so that she would look more like a princess. (New princess Merida is the only one without silky smooth straight hair.)

While conducting field research for my book, Growing Up With Girl Power, I also saw firsthand how important diversity in dolls and other products is to pre-adolescent African-American girls. For example, as I mentioned previously, the racial diversity of Bratz dolls was really important to the African-American girls in my study. For them, the diversity was often much more important than the dolls’ skimpy fashions, which have resulted in a lot of negative publicity for the brand. The girls also cared tremendously about whether popular characters like Dora the Explorer and those from The Proud Family were represented on toys and other products with the same skin tone as they had on television. (I remember that a beach towel depicting Dora with the wrong skin tone had been a serious affront.)

As these girls and I talked and talked about how few characters looked like them, I found myself remembering being a young girl and wanting nothing more than a doll that had brown hair and brown eyes, like me. Unfortunately, in the late 1970s/early 1980s, these were almost impossible to find, as my mother can attest: she had to hunt high and low to find a single brown-haired doll whose eyes were brown, not blue. When I shared this memory with the girls, they were surprised. “How rude!” one said.

That’s one of the brilliant things about the “My American Girl” dolls. Although they are prohibitively expensive for most families (sigh), girls can customize the dolls to have whatever skin tones and hair colors they’d like–just like Lauren did with the Disney Princess images on her Tumblr blog. Of course, there’s little diversity in actual facial features, which is an ongoing problem in the doll business: even when racially and ethnically diverse dolls are available, their facial characteristics typically reflect white beauty norms. In the essay “Dyes and Dolls: Multicultural Barbie and the Merchandizing of Difference,” scholar Ann duCille famously criticized such dolls for being merely “dye-dipped”–brown versions of their white counterparts.

In this context, a new experiment from Disney is fascinating. As of this week, children ages 3 to 12 who are visiting Walt Disney World’s Downtown Disney Marketplace* may order custom-modeled 7″ Disney Princess figurines made to look like them. Just like them. As in, modeled after images taken via 3D scans of the children’s own faces.

The price is about the same as an American Girl Doll, but thanks to the 3D technology, these new “D-Tech Me” princess figurines won’t just have the children’s eye and hair color; they’ll also have their noses, cheekbones, lips.

The service is being offered for a limited time–”at least through Thanksgiving,” according to one Disney rep (see comment #12 here), but not much longer. The characters available are Ariel, Aurora, Belle, Cinderella, Rapunzel, Snow White, and Tiana. (Sorry, Mulan, Pocahontas, Jasmine, and Merida!) The sample images are diverse: Ariel, Rapunzel, and Snow White all have darker skin and dark brown to black hair, Aurora is a redhead, and Tiana is a fair-skinned blonde.

I have to agree with The Business Insider that the samples images Disney has shared so far look pretty creepy–a little too “uncanny valley” for my taste. And I’m not sure why three of the four characters of color from the Disney Princess franchise are being excluded as choices in the first place; it seems a little insensitive to me. (Anyone have thoughts on that?) But I don’t agree with Marketplace that the figurines are a sign of the apocalypse.

Although the Disney Princess franchise teems with stereotypes about girlhood, femininity, physical appearance, and race (and although I strongly dislike that the girls’ heads will be as large or larger than their waists on these figurines) the reality is this: Little girls are growing up in a princess-obsessed girls’ culture, and feeling excluded hurts.

By letting any girl see herself as a princess–well, at least any 3- to 12-year-old girl whose parents can bring her to Disney World and afford to pay $99.95 plus shipping and handling for a figurine–Disney has taken another small step in the right direction. I’ll be curious to see whether the experiment catches on.

*Some reports have stated this service is available at Disneyland, but a Disney rep on the Disney Parks web site has clarified that the D-Tech Princesses are only going to be available in Walt Disney World in the Downtown Disney Marketplace.

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Katniss vs Merida: Mattel’s doll versions of strong girl characters

Last month, Mattel released a Katniss Everdeen doll, inspired by the look and style of Jennifer Lawrence in the Hunger Games film.

Katniss Everdeen doll by Mattel. Source: Barbiecollector.com

Compared with Mattel’s typical fare, the Katniss doll was refreshingly unsexualized–reflecting the character’s positive portrayal in the film (which I previously discussed here). The Katniss doll is flat-footed (no Barbie-style feet molded for high heels), and she is dressed for battle (not in a gown or dress).

Compared with the typical Barbie doll, Mattel’s Katniss wears very little makeup. Only her eyes seem made up, but the colors are neutral, suggesting this is actually meant as contouring to make the doll’s eyes appear more three-dimensional.

Katniss Everdeen doll by Mattel: detail. Via Barbiecollector.com

This month, Mattel released another doll based on a strong female character: Merida from Disney/Pixar’s Brave. Although the film will not be released for several weeks, the official trailers indicate that Merida is an atypical princess: like Katniss, she is strong-willed, independent, and a skilled archer.

Unfortunately, unlike Mattel’s Katniss doll, Mattel’s versions of Merida leave much to be desired. Earlier this week, Melissa Wardy of the Redefine Girly blog was shopping at Target, and she was shocked by Mattel’s small doll treatment of Merida. The small doll is a 6.5″ tall, fully plastic doll priced at $5.99.

Photo by Melissa Wardy

Regarding this doll, Melissa wrote:

The toy that comes out of the package looks nothing like the character on the package. The toy looks like Merida’s hot older sister, who despite living in the Scottish Highlands during Medieval times, got her hands on some serious eye liner and lipstick.

A quick internet search indicates that Mattel’s other Merida dolls aren’t much better. Here’s their 13″ fashion doll version, priced at $17.95:

Note the incredibly long eyelashes, the impeccably groomed eyebrows, the rosebud lips, the gentle expression, and the dainty body language. Note also that this is the dress Merida is depicted as hating in the movie, for she is obliged to wear a restrictive corset beneath it.

For a few dollars more ($20.99), Mattel also offers a “Gem Styling Merida Doll,” dressed for archery…and sparkly fashion fun:

Mattel's Gem Styling Merida Doll, side view

The product description on Amazon explains that girls can “decorate Merida’s hair or outfit with sparkly gems,” and that “girls will love reenacting their favorite scenes from the movie.” (Um, sorry, Mattel–I’ve read the junior novelization of Brave, and there are no gem styling scenes in the story. Poor Merida!)

Compare these dolls to any image of Merida from the film or its publicity materials, and you’ll see that Mattel has feminized Merida, making her much more stereotypically girly and much more conventionally pretty than she is in the film:

Screen shot of Merida from Disneystore.com

Merida is lovely just the way she is. Mascara? Who needs it?

Fortunately, the version of Merida available for $16.50 from the Disney Store is truer to the film’s character. I checked out the products available in my local Disney Store and found them to be preferable to Mattel’s versions. Here’s a photo I snapped of the basic Merida doll:

Disney Store Merida

Disney Store Merida - detail

Note the more focused expression, the crooked smile (also found on the toddler doll), the lighter touch around the eyes, the film-centered accessories. All in all, it’s a nice doll. (I just hope Disney can resist making a super sparkly version!)

In short, a comparison of the different Merida dolls make it clear:

Although Mattel designed a Katniss Everdeen doll that reflected the character’s strength and personality, when it came to Merida, Mattel didn’t even try. 

But why would that be? Both Katniss and Merida are strong, independent, and enjoy archery–yet their treatments by Mattel couldn’t be more different.

The answer: just as the films target different audience members, these dolls target different markets, as well.

According to Amazon.com, Mattel’s recommended age for the Merida dolls is “36 months to 8 years.”

Amazon says the recommended age for Mattel’s Katniss doll is 6 to 15. However, according to Barbiecollector.com, the Katniss doll is actually meant for adults. In point of fact, Katniss is from the Black Label line–all of which are described as being meant for adult collectors, ages 14 and up. Katniss’s design was led by one individual, Bill Greening, who describes himself as a Hunger Games fan and who approached the design with care.

“Hopefully Hunger Games fans can appreciate the attention to detail,” Greening says. “The doll’s minimalistic style and details — such as her loosely braided hair and makeup-free look — also really embody the heroic character Katniss.”

Fan response has been tremendous: the Katniss doll sold out almost immediately, and is now on backorder, with an expected availability four months from now.

Unfortunately, because Mattel’s Brave line is intended for the preschool-to-grade-school set, Merida received no such treatment from Mattel. Presumably designed by committee, the Merida dolls rely on stereotypes about little girls’ interests. Make a little girl’s doll whose face isn’t redesigned to conform to Mattel’s beauty norms? Present a little girl’s doll as strong and independent, rather than dainty and sweet? Nah, that would be much too risky! Mattel clearly believes that long eyelashes and gemstone dress-up activities are a safer marketing bet.

In my opinion, Mattel underestimates little girls. Give them a Merida doll that reflects the movie’s character, and they will love it. Mattel is also blind to why parents have responded positively to the Brave trailers: many appreciate that Merida is not a stereotypically princess-like princess.

What a shame that Mattel couldn’t afford young girls who love Brave the same respect they afforded to the teens and adults who love The Hunger Games. 

For further reading: Talking about toys: Taking child’s play seriously

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Talking about toys: Taking child’s play seriously

On occasion, people ask me why I bother taking children’s toys so seriously. “They’re just toys, after all!”

Yes, toys are just toys–but they’re so much more than that, too. Toys are a central part of children’s play, and to a child, play is very important work. Through play, children experiment with their visions for themselves and others in the world; play is part of their learning and socialization.

So, it’s worth talking seriously about toys, for they have the power to shape children’s dreams and worldviews.

Plus, as the infographic below from Frugal Dad explains, toy sales are big, big business. Family spending on toys went up during the recession, even as families’ grocery spending declined. The major manufacturers, Mattel and Hasbro, are aggressive marketers; when marketers harness children’s “pester power” so skillfully, it’s hard to resist the temptation to buy new toys.

toys

Source: frugaldad.com. Used with permission.

It’s also worth remembering that with if two manufacturers monopolize 40% of the toy industry, and aggressively market their goods, their worldviews can wind up permeating our homes. You know all the recent complaints about sexism in children’s toys? Take a look at who composes the boards of directors at Hasbro and Mattel.

Oh, and while you’re at it, check out the board of directors at LEGO and the executive team from Disney’s consumer products division, too.

See any trends?

If you said, “Wow, it’s mostly white men,” then we’re on the same page. If the people in charge lack racial diversity and skew heavily towards men, that has implications for the kinds of toys the major manufacturers will produce: dynamic, engaging toys for boys, and stereotypical, reductionist toys for girls–and poor representation of people of color, too.

Readers: What do you think? How seriously do you take toys? Parents, do you have any strategies for deciding which toys you deem fit to enter your homes?

Ponies, petitions, and girl power: This week’s roundup

Last week, I kept busy working on the My Little Pony petition, asking Hasbro to stop promoting superficial stereotypes of girls. Change.org invited me to contribute a guest post to their web site about the petition. It’s called “I Won’t Buy My Little Pony Toy That Makes Smart Princess Shallow.” You can read it here.

Mommyish.com also reported on the petition. Koa Beck wrote:

Hearing these [stereotypical] phrases from their favorite pony countless times a day cements the cultural message that girls consistently receive about their beauty being paramount. That their other achievements and interests, not matter how much they excel at them, will come second to beauty — and that’s because they’re girls.

Also of possible interest:

Thanks for reading, everyone. Has anything of interest come across your screens in the past week? What’s caught your attention?

New at the Disney Store: Princess Dolls with Extra Sparkles! (and extra problems)

On a recent visit to my local Disney Store, I learned that Disney had just released a new line-up of Disney Princess dolls at the holidays. The new line-up was on the shelves–and so were some of their older counterparts.*

All of the dolls had new face molds (with larger eyes) and new dresses (which were sparklier than ever). Here’s what I saw:

The old Belle doll (left) has sparkling swirls on her gown's skirt, while the new Belle's dress is 100% sparkles. She also looks kind of worried. What's wrong, Belle?

The old Jasmine doll (left) has sparkly swirls on her pants, while the new doll's outfit is sparkly all over. Great news: She isn't wearing eyeshadow! She looks a little angry, though. What's wrong, Jasmine?

Our local store only had the newer Mulan doll in stock. It made me a little sad: Disney seems to want to “girl up” its tomboy. (Maybe that’s why the new Belle doll looks worried!) Check out Mulan’s tulle:

Hey, Mulan! Where'd you get that enormously poofy pink gown??

They didn’t have last year’s doll in stock (a sign that customers who like Mulan want a dress that’s true to the character?), so I found these online:

The old Mulan doll has swirly sparkles, like all of the older models; hers are just around her waist.

Watch out, Mulan--you're being swallowed by a rampaging ball gown. Run!!!

Did they put Pocahontas in a ball gown, too?

No ballgown here--but perplexingly, her feet are shaped for high heels. Old Pocahontas doll (left): sparkly necklace. New Pocahontas (right): sparkly necklace AND sparkly waistband! Good point: Her face mold seems truer to her on-screen counterpart. Big problem: The newer doll has noticeably lighter skin.

Disney lightened their Native American character’s skin? Hey, I bet that’s why Jasmine looks angry.

Not cool, Disney. Not cool at all.

In short, the new dolls have some good points (e.g., less makeup, a wider range of facial expressions) and some that cause concern (e.g., Mulan’s westernized dress and Pocahontas’s lightened skin).

Parents and Disney fans: What do you think of the new dolls?


*Note: My local Disney store did not have the older models of several dolls, including Rapunzel and Tiana (which have been selling very well). Has anyone seen the other dolls side by side? What did Disney do well? What could they do better next time?

“Chess for Girls,” or how Saturday Night Live predicted the future.

Saturday Night Live’s fake commercial, “Chess for Girls” [transcript], was hilarious in 1997–but today, it strikes awfully close to home. An ultra-pink chess set that’s “not too hard, just pretty and fun”–with prancing ponies and a long-haired queen in a gown? Wow. Who knew SNL could see the future of children’s popular culture?

Right now, everyone is talking about gender divisions in the toy aisles. Boys toys swim in a sea of blue and black, while girls’ toys look like victims of a catastrophic Pepto-Bismol spill.

This is a big enough problem that about a month ago, Hamleys toy store in London made news by desegregating children’s toys, grouping them by interest instead of gender.

It wouldn’t have been newsworthy if the typical toy store layout wasn’t such a problem.

As you’ve likely heard, LEGO one-upped the stakes recently by creating a reductive and offensive girls’ line of LEGOS. If you think about it, the concept of LEGOS for girls practically plagiarizes SNL’s Chess for Girls. Like chess, LEGOS are enjoyable to both boys and girls. But making a new LEGO line that is pink, beauty-centric, and not too hard? Perfect!

No wonder parents and critics are upset.

In fact, it seems a movement is building, buttressed by a national dialogue about unnecessarily heightened gender divisions in children’s popular culture. SPARK mailed LEGO more than 48,000 signatures protesting the new line yesterday. The numbers speak volumes.

But how did we get here? How did gender divisions become quite so divisive?

There are lots of ways to explain this history. But in my opinion, Disney–one of the major producers and arbiters of children’s culture–plays a central role in it. In 1999, a Disney exec realized that by grouping Disney’s Princesses together, they might be worth more than the sum of their parts. This marketing insight that has brought Disney billions in revenue. Other companies like Mattel moved quickly to cash in on the trend, fueling the princess craze.

If there’s a princess version of nearly everything, and “princess” is a category that excludes boys, then gender divisions in children’s popular culture can only be heightened. Superheroes are for everyone–even if they’re “for” boys, girls enjoy them, too–but princesses are aspirational. Only girls can become princesses, so princess culture is only for the girls. And this means that the Disney Store now gives about 2/3 of its floor space exclusively to girls, if the Boston-area Disney Store I visited with my family last weekend is the norm: Cars and Toy Story products largely filled the left-hand side of the store, while the center and right featured princess and nothing but princess.

When I was a kid, Disney was about Mickey and Donald and Goofy and Pluto. Oh, and Minnie and Daisy, too. These were characters all kids could enjoy. The recent devolution in children’s culture–from boys and girls having at least SOME shared interests, to such a divisive schism–is troubling. In fact, when I assign my 19-year-old media studies students to analyze what’s happening in their local toy aisle, even they are surprised: They haven’t shopped in toy aisles in nearly a decade, and though they remember some gender divisions (boys’ aisles and girls’ aisles have been around for ages), they often don’t remember those divisions being quite so complete.

The only way our current situation will change is if we fight back. And that’s why I created a petition about Hasbro’s talking Princess Celestia toy. A television show has finally presented a princess character that appeals to boys and girls alike–because she’s a leader, not a beauty object. If you agree that children need more characters like these, and that toys shouldn’t reduce such characters to princess stereotypes, won’t you please sign it?

Readers: What are your thoughts on the gendering of children’s popular culture? How have you seen it shift over time? Do you agree that the Disney Princess phenomenon has a lot to do with the current situation?

P.S. I’m excited to announce that my new book was released this week! If you check it out, please let me know what you think.

Pretty Princess Problems: The Case of Princess Celestia

My family and I were shopping for a child’s birthday present this weekend when we came upon the My Little Pony: Friendship is Magic section at a local Target store. As I’ve discussed previously, MLP:FIM is an unusually good children’s cartoon. My three-year-old son loves it, and he was excited to see these toys.

My son searched for his favorite character, Rainbow Dash, but there were none to be found. Then, the largest MLP toy in the aisle caught his attention: the talking My Little Pony Princess Celestia.

My son pressed the bright yellow button on Princess Celestia’s cutie mark, and her wings lit up. He was entranced. But as the toy began speaking, my husband and I exchanged annoyed glances. This toy repositioned Princess Celestia as a conceited, girly-girl princess stereotype—not the wise, powerful leader and mentor portrayed on screen.

So, I grabbed my phone and took this video:

What’s going on here?

We captured 12 different sayings, which I think is all of them. I later transcribed them* and categorized each saying according to topic, in a miniature content analysis. Here are my findings:

APPEARANCE (5)
I love when you comb my hair!
Oh, my hair looks beautiful.
My wings are so pretty!
My barrettes look so pretty!
You’re beautiful!

FRIENDSHIP (2)
I love to make new friends!
You’re my best friend!

PRINCESS (2)
I am Princess Celestia.
I’m a princess! Are you a princess too?

ACTIVITY (2)
Let’s fly to the castle.
I will light the way.

EXCLAMATION (1)
Spectacular!

In short, 5 out of 12 of this toy’s sayings are appearance-centric—possibly more, depending on your interpretation of the phrases “Spectacular!” and “I’m a princess! Are you a princess, too?” So if a child plays with this Princess Celestia toy, about half of the time, he or she will be subjected to pretty princess rhetoric—the kind of vanity discourse that the show, happily, is free of. For parents who appreciate the show’s generally informed approach to girly-girl stuff, this toy would present an unpleasant surprise.

In relation to this, it’s important to consider this toy’s appearance. Although Princess Celestia is portrayed on screen as a white pony, this toy is pink as can be. (In the video, listen to my son’s surprise: “She’s Princess Celestia?” and “She supposed to be white!” Yup. Sorry, sweetie.)

So, why is this pink Princess Celestia toy obsessed with stereotypical pretty princess interests?

Princess Celestia’s pre-production history offers some insight on the issue. Lauren Faust, MLP:FIM‘s creator, originally planned for Celestia to be a Queen. At Hasbro’s insistence, however, she was made a princess. Faust has explained:

I was told [by Hasbro] that because of Disney movies, girls assume that Queens are evil (although I only remember 1 evil queen) and Princesses are good. I was also told that the perceived youth of a Princess is preferable to consumers.

She does not have parents that outrank her. I brought the weirdness of that situation to my bosses, but it did not seem to be a continuity concern to them, so I’m letting it alone. I always wanted her to be the highest authority, and so she remains so. And I certainly don’t want marriage to be what would escalate her. (Bad messages to girls and what not.)

[...]  I put up a bit of a fight when her title changed, but you win some, you loose some.

In short, Hasbro wasn’t interested in fighting stereotypes in this instance. Their execs just wanted to cash in on stereotypes about pretty princesses. They apparently couldn’t resist the opportunity to have a princess instead of a queen.

Toy manufacturers are content to market stereotypes to consumers who, unfortunately, they see as little more than stereotypes: “Girls love princesses! Princesses are girly and pretty and pink! Let’s give girls what they want.”

Yeah, right.

As critics such as Peggy Orenstein have argued, this is a huge problem in our culture–for girls, for their imaginations, and their visions for their own futures. And it’s the antithesis of girl power.

Consider Lego’s recent and controversial decision to create a separate girly-girl line of Legos for girls, instead defying the stereotype that girls will ONLY play with pink toys and inviting them to build with regular legos. It’s the same kind of logic.

Toy manufacturers need to stop pretending that what’s good for their bottom line is what’s good for girls.

So, Hasbro: I have some ideas for future iterations of the Princess Celestia toy. She could say:

I’m a princess! I rule my country with wisdom.
I love teaching my students. Do you love school?
You’re so smart!
You remind me of Twilight Sparkle, my best student.
Can you tell me what you learned today?
Together, we can do anything!

There. Now, that wasn’t so difficult, was it?

Parents: Have you had similar issues with toys in the past? Do any of your children own this Princess Celestia toy, and if so, what are your thoughts on it? (Bronies, what do you think?)


Update (1/17/12): I’ve set up a petition at Change.org, urging Hasbro to reprogram the talking Princess Celestia toy. Please sign itif you agree.

Also, if anyone has other ideas about what the talking Princess Celestia toy should be saying, I’m all ears. Post your ideas below, and I’ll consider adding them to the petition.

Thanks!


* A full transcript of the video, including what my son and I are saying, is available on the YouTube page.

Note [added 1/20/12]: In my list of suggestions, I originally offered, “You’re beautiful, outside *and* in,” meant as a corrective to the emphasis on external beauty in princess toys. But some moms have persuaded me that, really, we don’t need any additional beauty rhetoric! (Smart moms, you rock.) So I’ve replaced it with, “Can you tell me what you learned today?” which is very much in line with the character on the show.

Practicing slightly subversive parenting: Toddlers and gender

Gender representations in popular kids’ storybooks make me sigh. Books based on TV programs and movies seem among the worst offenders; yet they’re inescapably popular.

To manage them, I do two things:

First, I keep movie- and tv-based books to a minimum in our household. There are so many better books out there!

Second, I employ a slightly subversive strategy whenever my son and I read together: If I have a problem with how something is presented, I alter the story ever-so-slightly to improve it.

For example: My three-year-old son loves Disney’s Cars. It’s the story of an anthropomorphic superstar race car, Lightning McQueen, who overcomes his self-absorbtion to develop real relationships with other cars.

Unfortunately, the film’s only major female character, Sally, exists primarily as a love interest for Lightning McQueen; he even hits on Sally when they first meet. (Ugh.) But Sally is a lawyer, clearly much smarter than McQueen, and at that first meeting, she puts him in his place swiftly. (Thank goodness.)

My son owns a copy of the nicely illustrated Disney-Pixar Little Golden Book Favorites, in which the movie is retold. In the book, the plot is simplified. In the interest of brevity, Sally’s role is reduced so much that only five sentences refer to her. Three of these describe the occasion when she and Lightning first met:

“Then Sally, a blue sports car, arrived. Sally was a lawyer. Lightning thought Sally was pretty.”

For my part, I don’t appreciate the emphasis on Lightning’s perception of Sally’s appearance–and with no mention of Sally’s evident disgust at his smug approach, either! So when I’m reading this book, here’s what my son hears instead:

“Then Sally, a blue sports car, arrived. Sally was a lawyer. Lightning realized Sally was smart.”

This has been fun during playtime with my son’s toy Cars. He often plays Lightning McQueen while I, per his instructions, play Sally. If he drives Lightning up to Sally and says, “I’m a race car! Zoom zoom!” I respond, “I’m a lawyer! I’m really smart!”

His response? “No, I’m a lawyer. I’m a lawyer, too! Zoom zooooom!”

That’s right, honey. Lightning McQueen can be anything you want him to. :)

“Let’s go to law school together, Lightning! Zoom, zoom.”

“Okay!”

Mom: 1; Disney: 0.

Parents: Have you used similar tactics with your pre-schoolers? What works for your family?

Challenging our assumptions: Is there anything good about Bratz?

Bratz dolls came back on the market this fall. They’d been out of production for a few years while their maker, MGA, fought a legal battle with Mattel. MGA emerged victorious—and critics everywhere shook their heads. What good can come of girls playing with sexy toys—toys that the American Psychological Association has singled out in a report [pdf] as contributing to the sexualization of girls?

I am no fan of Bratz. A few years ago, at the height of their popularity, I witnessed little girls’  delight in Bratz “fashionable” clothing—their revealing, age-inappropriate styles.  One girl asked her eight-year-old friend, “Do you wish you could dress like the Bratz dolls?”

Her friend replied longingly: “Oh, I do!”

Ugh.

But.

Children are full of surprises—and while I was conducting research for my book, Growing Up With Girl Power, I spent a lot of time with girls. Enough to experience the unexpected.

One afternoon, a group of girls shared their Bratz dolls with me. And much to my surprise, as their play got underway, they decided to ignore the dolls’ clothing completely. The reason?

They were using the dolls to “play slaves.”

As their collaborative play unfolded, these girls–who were African-American–acted out a chapter of U.S. history, focusing not on the dolls’ sexy clothing, but on their skin tones.

I was blown away.

Their white dolls were slave owners and underground railroad conductors; the black dolls were runaway slaves, empowered by Harriet Tubman.  And as they played, the girls imagined that they had “raggedy clothes.”

This kind of play was possible for one important reason: Bratz dolls featured more racial diversity than the other dolls the girls owned.  Even though the dolls directed children to focus on fashion, the girls in my study had enough agency to use these dolls in a way that MGA never imagined. In this instance, at least, diversity trumped too-sexy fashion play.

To me, this experience presents an important reminder to parents, educators, and critics: In addition to critiquing children’s popular culture, we need to spend time with children, exploring how they play and watch media. It’s important to get as full a picture as possible. Children have agency–and witnessing this process in action won’t necessarily mitigate our concerns, but it might challenge some of our assumptions.


P.S. Don’t think for a minute that the Bratz dolls’ racial diversity vindicates the brand. I’m not happy that Bratz are back in the market, even if their marketing team has promised they’ll be more “wholesome” this time around. Sorry, but girls wearing bustiers in the new Bratz ads? Please. I’d rather see an affordable line of dolls that are racially diverse and non-sexualizing gain success.

Parents: Any suggestions on good, affordable, diverse alternatives to Bratz?